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Other Olympians
Michael Waters
Farrar, Straus, and Giroux

The story of the early trans athletes and Olympic bureaucrats who lit the flame for today’s culture wars. In December 1935, Zdenek Koubek, one of the most famous sprinters in European women’s sports, declared he was now living as a man. Around the same time, the celebrated British field athlete Mark Weston, also assigned female at birth, announced that he, too, was a man. Periodicals and radio programs across the world carried the news; both became global celebrities. A few decades later, they were all but forgotten. And in the wake of their transitions, what could have been a push toward equality became instead, through a confluence of bureaucracy, war, and sheer happenstance, the exact opposite: the now all-too-familiar panic around trans, intersex, and gender nonconforming athletes.

In The Other Olympians, Michael Waters uncovers, for the first time, the gripping true stories of Koubek, Weston, and other pioneering trans and intersex athletes from their era. With dogged research and cinematic flair, Waters also tracks how International Olympic Committee members ignored Nazi Germany’s atrocities in order to pull off the Berlin Games, a partnership that ultimately influenced the IOC’s nearly century-long obsession with surveilling and cataloging gender.

Immersive and revelatory, The Other Olympians is a groundbreaking, hidden-in-the-archives marvel, an inspiring call for equality, and an essential contribution toward understanding the contemporary culture wars over gender in sports.

 

Affirmations for Queer People
Jess Vosseteig
Adams Media

Queer people are essential members of society—trailblazing for positive change and building up a stronger and more vibrant community every day. It’s time to affirm these truths and so many more with Affirmations for Queer People.

In this book, discover more than 100 affirmations to empower yourself, emphasize your self-worth, care for your mental health and emotional well-being, and so much more. You can use these affirmations and the accompanying texts to reflect on your own life and your future. You’ll find amazing, inclusive artwork throughout that speaks to the beauty, bravery, and diversity of this incredible community.

 

A Great Gay Book
Ryan Fitzgibbon
Abrams Books

Hello Mr. was founded by Ryan Fitzgibbon in 2012. Over its ten-issue lifespan, the groundbreaking indie magazine became the first home for some of the most prestigious queer voices of a generation. With more than a decade’s devotion, and the publishing prowess of Abrams, Fitzgibbon has created an astonishing reminder of our collective power in A Great Gay Book.

Notable artists and writers featured include Jeremy Atherton Lin, Lady Bunny, Alexander Chee, Garth Greenwell, Saeed Jones, Wesley Morris, Chani Nicholas, Tommy Pico, Brontez Purnell, LJ Roberts, Mathew Rodriguez, Antwaun Sargent, Fran Tirado, Ocean Vuong, Bryan Washington, John Waters, Kehinde Wiley, J Wortham, Hanya Yanagihara, and many more.

 

 

 

 

 

Cactus Country
Zoe Bossiere
Abrams Books

Newly arrived in the Sonoran Desert, eleven-year-old Zoë’s world is one of giant beetles, thundering javelinas, and gnarled paloverde trees. With the family’s move to Cactus Country RV Park, Zoë has been given a fresh start and a new, shorter haircut.

Although Zoë doesn’t have the words to express it, he experiences life as a trans boy—and in Cactus Country, others begin to see him as a boy, too. Here, Zoë spends hot days chasing shade and freight trains with an ever-rotating pack of sunburned desert kids, and nights fending off his own questions about the body underneath his baggy clothes.

As Zoë enters adolescence, he must reckon with the sexism, racism, substance abuse, and violence endemic to the working class Cactus Country men he’s grown close to, whose hard masculinity seems as embedded in the desert landscape as the cacti sprouting from parched earth. In response, Zoë adopts an androgynous style and new pronouns, but still cannot escape what it means to live in a gendered body, particularly when a fraught first love destabilizes their sense of self.

But beauty flowers in this desert, too. Zoë persists in searching for answers that can’t be found in Cactus Country, dreaming of a day they might leave the park behind to embrace whatever awaits beyond.

Equal parts harsh and tender, Cactus Country is an invitation for readers to consider how we find our place in a world that insists on stark binaries, and a precisely rendered journey of self-determination that will resonate with anyone who’s ever had to fight to be themself.

 

 

Hollywood Pride
Alonso Duralde
Running Press Adult

On the eve of the twentieth century, in Thomas Edison’s laboratory, one of the earliest attempts at a sound film depicted two men dancing together as a third plays the violin. It’s only a few minutes long, but this cornerstone of early cinema captured a queer moment on film. It would not be the last.

With Hollywood Pride, renowned film critic Alonso Duralde presents a history spanning from the dawn of cinema through the “pansy craze” of the 1930s and the New Queer Cinema of the 1990s, all the way up to today. He showcases the hard-working actors, writers, directors, producers, cinematographers, art directors, and choreographers whose achievements defined the American film industry and charts the evolution of LGBTQ+ storytelling itself—the way mainstream Hollywood decided it would portray (or erase) their lives and the narratives created by queer filmmakers who fought to tell those stories themselves.

Along the way, readers will encounter a fascinating cast of characters, such as the first generation of queer actors, including J. Warren Kerrigan, Ramon Novarro, and William Haines. Early cinema pioneers like Alla Nazimova and F. W. Murnau helped shape the new medium of moving pictures. The sex symbols, both male (Rock Hudson, Tab Hunter, and Anthony Perkins) and female (Lizabeth Scott and Greta Garbo), lived under the threat of their private lives undermining their public personas. Underground filmmakers Kenneth Anger and John Waters made huge strides in LGBTQ+ representation with their offoff-Hollywood productions in the 1960s and ’70s. These screen legends paved the way for every openly queer figure in Hollywood today.

 

 

Pretty  
KB Brookins
Knopf

Even as it shines light on the beauty and toxicity of Black masculinity from a transgender perspective—the tropes, the presumptions—Pretty is as much a powerful and tender love letter as it is a call for change.

“I should be able to define myself, but I am not. Not by any governmental or cultural body,” Brookins writes. “Every day, I negotiate the space between who I am, how I’m perceived, and what I need to unlearn. People have assumed things about me, and I can’t change that. Every day, I am assumed to be a Black American man, though my ID says ‘female,’ and my heart says neither of the sort. What does it mean—to be a girl-turned-man when you’re something else entirely?”

Informed by KB Brookins’s personal experiences growing up in Texas, those of other Black transgender masculine people, Black queer studies, and cultural criticism, Pretty is concerned with the marginalization suffered by a unique American constituency—whose condition is a world apart from that of cisgender, non-Black, and non-masculine people. Here is a memoir (a bildungsroman of sorts) about coming to terms with instantly and always being perceived as “other”

 

 

 

A Place of Our Own  
June Thomas
Seal Press

For as long as queer women have existed, they’ve created gathering grounds where they can be themselves. From the intimate darkness of the lesbian bar to the sweaty camaraderie of the softball field, these spaces aren’t a luxury—they’re a necessity for queer women defining their identities. In A Place of Our Own, journalist June Thomas invites readers into six iconic lesbian spaces over the course of the last sixty years, including the rural commune, the sex toy boutique, the vacation spot, and the feminist bookstore.

Thomas blends her own experiences with archival research and rare interviews with pioneering figures like Elaine Romagnoli, Susie Bright, and Jacqueline Woodson. She richly illustrates the lives of the business owners, entrepreneurs, activists, and dreamers who shaped the long struggle for queer liberation. Thomas illuminates what is gained and lost in the shift from the exclusive, tight-knit women’s spaces of the ’70s toward today’s more inclusive yet more diffuse LGBTQ+ communities.

At once a love letter, a time capsule, and a bridge between generations of queer women, A Place of Our Own brings the history—and timeless present—of the lesbian community to vivid life.

 

House of Hidden Meanings
Rupaul
Dey Street Books

Central to RuPaul’s success has been his chameleonic adaptability. From drag icon to powerhouse producer of one of the world’s largest television franchises, RuPaul’s ever-shifting nature has always been part of his brand as both supermodel and supermogul.

Yet that adaptability has made him enigmatic to the public. In this memoir, his most intimate and detailed book yet, RuPaul makes himself truly known.

Stripping away all artifice, RuPaul recounts the story of his life with breathtaking clarity and tenderness, bringing his signature wisdom and wit to his own biography. From his early years growing up as a queer Black kid in San Diego navigating complex relationships with his absent father and temperamental mother, to forging an identity in the punk and drag scenes of Atlanta and New York, to finding enduring love with his husband Georges LeBar and self-acceptance in sobriety, RuPaul excavates his own biography, uncovering new truths and insights in his personal history.

Here in RuPaul’s singular and extraordinary story is a manual for living—a personal philosophy that testifies to the value of chosen family, the importance of harnessing what makes you different, and the transformational power of facing yourself fearlessly.

If we’re all born naked and the rest is drag, then this is RuPaul totally out of drag. This is RuPaul stripped bare.

 

Ten Bridges I’ve Burnt
Brontez Purnell
MCD

In Ten Bridges I’ve Burnt, Brontez Purnell—the bard of the underloved and overlooked—turns his gaze inward. A storyteller with a musical eye for the absurdity of his own existence, he is peerless in his ability to find the levity within the stormiest of crises. Here, in his first collection of genre-defying verse, Purnell reflects on his peripatetic life, whose ups and downs have nothing on the turmoil within. “The most high-risk homosexual behavior I engage in,” Purnell writes, “is simply existing.”

The thirty-eight autobiographical pieces pulsing in Ten Bridges I’ve Burnt find Purnell at his no-holds-barred best. He remembers a vicious brawl he participated in at a poetry conference and reckons with packaging his trauma for TV writers’ rooms; wrestles with the curses, and gifts, passed down from generations of family members; and chronicles, with breathless verve, a list of hell-raising misadventures and sexcapades. Through it all, he muses on everything from love and loneliness to capitalism and Blackness to jogging and the ethics of art, always with unpredictable clarity and movement.

With the same balance of wit and wisdom that made 100 Boyfriends a sensation, Purnell unleashes another collection of boundary-pushing writing with Ten Bridges I’ve Burnt, a book as original and thrilling as the author himself.

 

 

 

 

Words That Remain
Stenio Gardel
New Vessel Press

A letter has beckoned to Raimundo since he received it over fifty years ago from his youthful passion, handsome Cícero. But having grown up in an impoverished area of Brazil where the demands of manual labor thwarted his becoming literate, Raimundo has long been unable to read. As young men, he and Cícero fell in love, only to have Raimundo’s father brutally beat his son when he discovered their affair. Even after Raimundo succeeds in making a life for himself in the big city, he continues to be haunted by this secret missive full of longing from the distant past. Now at age seventy-one, he at last acquires a true education and the ability to access the letter. Exploring Brazil’s little-known hinterland as well its urban haunts, this is a sweeping novel of repression, violence, and shame, along with their flip side: survival, endurance, and the ultimate triumph of an unforgettable figure on society’s margins. The Words That Remain explores the universal power of the written word and language, and how they affect all our relationships.

 

 

 

 

 

 

 

 

 

 

 

Guncle Abroad 
Steven Rowley
G.P. Putnam’s Sons

Patrick O’Hara is back. It’s been five years since his summer as his niece Maisie and nephew Grant’s caretaker after their mother’s passing. The kids are back in Connecticut with their dad, and Patrick has relocated to New York to remain close by and relaunch his dormant acting career. After the run of his second successful sit-com comes to a close, Patrick feels on top of the world . . . professionally. But some things have had to take a back seat. Looking down both barrels at fifty, Patrick is single again after breaking things off with Emory. But at least he has a family to lean on. Until that family needs to again lean on him.

When Patrick’s brother, Greg, announces he’s getting remarried in Italy, Maisie and Grant are not thrilled. Patrick feels drawn to take the two back under his wing. As they travel through Europe on their way to the wedding, Patrick tries his best to help them understand love, much as he once helped them comprehend grief. But when they arrive in Italy, Patrick is overextended managing a groom with cold feet; his sister, Clara, flirting with guests left and right; a growing rivalry with the kids’ charming soon-to-be-launt (lesbian aunt), and two moody young teens trying to adjust to a new normal, all culminating in a disastrous rehearsal dinner.

Can Patrick save the day? Will teaching the kids about love help him repair his own love life? Can the change of scenery help Patrick come to terms with finally growing up? Gracing the page with his signature blend of humor and heart, Steven Rowley charms with a beloved story about the complicated bonds of family, love, and what it takes to rediscover yourself, even at the ripe age of fifty.

 

Becoming Ted
Matt Cain
Kensington

If Ted Ainsworth were to compare himself to one of the ice cream flavors made by his family’s company, famous throughout his sleepy Lancashire hometown, it might be vanilla—sweet, inoffensive, and pleasantly predictable. At forty-three, Ted is convinced there’s nothing remotely remarkable about him, except perhaps his luck in having landed handsome, charismatic Giles as a husband.

Then Giles suddenly leaves him for another man, filling his social media feed with posts about #newlove and adventure. And Ted, who has spent nearly twenty years living with, and often for, another person, must reimagine the future he has happily taken for granted.

But perhaps there is another Ted slowly blossoming now that he’s no longer in Giles’s shadow—funny, sassy, more uninhibited. Someone willing to take chances on new friendships, and even new love. Someone who’s been waiting in the wings too long, but who’s about to dust off a long-ago secret dream and overturn everyone’s expectations of him—especially his own. . .

 

 

 

 

 

 

 

Arthur and Teddy Are Coming Out
Ryan Love
HQ

A laugh-out-loud story of heartbreak and joy, Arthur and Teddy Are Coming Out is Beth O’Leary’s The Switch meets Grace & Frankie—with a sprinkling of Bridget Jones on top.

When 79-year-old Arthur Edwards gathers his family together to share some important news, no one is prepared for the bombshell he drops: he’s gay, and after a lifetime in the closet, he’s finally ready to come out.

Arthur’s 21-year-old grandson, Teddy, has a secret of his own: he’s also gay, and developing serious feelings for his colleague Ben. But Teddy doesn’t feel ready to come out yet—especially when Arthur’s announcement causes shockwaves in the family.

Arthur and Teddy have always been close, and now they must navigate first loves, heartbreak, and finding their place in their community. But can they—and their family—learn to accept who they truly are?

 

 

 

 

Love Junkie  
Robert Plunket
New Directions

Adored by the likes of Amy Sedaris, Madonna (who optioned the film rights), and Gordon Lish, Love Junkie is Robert Plunket’s cult novel of the heady heyday of gay New York at the dawn of the AIDS epidemic: scandalously long out of print, it is now gloriously reissued for a new generation of readers.

Mimi Smithers, a modern-day Emma Bovary, is a fortyish suburban housewife who has an eye for décor and dreams of hosting lavish cocktail parties. Reflecting on her time in Tehran with her Union Carbide executive husband, she says, “In the waning months of the Shah’s regime, entertaining became more and more difficult. Hams—always a problem in Islamic countries—were as rare as hen’s teeth.” After their move to Westchester, a party she hosts for Mrs. Rockefeller goes south, and she falls into a deep funk. But then life takes an unexpected turn when she stumbles down into the gay rabbit hole of Manhattan and Fire Island society and meets Joel, a porn star with a chest “as smooth as a Ken doll.” Soon she’s helping him with his lucrative mail order business (signed photographs, used underwear, “verbal abuse audiotapes”), and her real dreams and adventures begin.

 

 

 

 

 

 

 

 

 

Last Supper of Queer Apostles
Pedro Lemebel
Penguin Classics

A galvanizing look at life on the margins of society by a crowning figure of Latin America’s queer counterculture who celebrated “melodrama, kitsch, extravagance, and vulgarity of all kinds” (Garth Greenwell) in playful, performative, linguistically inventive essays, now available in English for the first time

“I speak from my difference,” wrote Pedro Lemebel, an openly queer writer and artist living through Chile’s AIDS epidemic and the collapse of the Pinochet dictatorship. In brilliantly innovative essays—known as crónicas—that combine memoir, reportage, fiction, history, and poetry, he brought visibility and dignity to sexual minorities, the poor, and the powerless. Touching on everything from Che Guevara to Elizabeth Taylor, from the aftermath of authoritarian rule to the daily lives of Chile’s locas—a slur for trans women and effeminate gay men that he boldly reclaims—his writing infuses political urgency with playfulness, realism with absurdism, and resistance with camp, and his AIDS crónicas immortalize a generation of Chileans doubly “disappeared” by casting each loca, as she falls sick, in the starring role of her own private tragedy. This volume brings together the best of his work, introducing readers of English to the subversive genius of a literary activist and queer icon whose acrobatic explorations of the Santiago demimonde reverberate around the world.

 

 

 

 

 

 

 

 

 

 

 

 

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